Ferris Rafauli
Ferris Rafauli with drēmər

Making his bed: Ferris Rafauli on his latest Hästens launch and what it takes to create a luxury home

27 Apr 2026 | |By Kari Colmans

The international architect on how a good bed can change everything

Best known among Gen Z for designing rap star Drake’s enormous 50,000 square foot Toronto mega-mansion ‘The Embassy’, renowned Canadian architectural and interior designer Ferris Rafauli is an expert at designing ultra-luxury homes and custom furniture for the international elite. Now, Rafauli has joined forces yet again with Swedish sleep masters, Hästens, for the new Grand Vividus and Hästens drēmər: the latest expressions of two “sleep instruments”, which he has evolved and elevated from the original models.

At a time when the wellbeing zeitgeist is abuzz with the importance of longevity, recovery, and performance, Hästens and Rafauli argue that “the most important recovery instrument in the home has been framed too weakly for too long”.

Grand Vividus was first introduced in 2020, with drēmər following later as another iteration of the same philosophy. Through continued product development over the past two years, both beds have been carefully and thoughtfully refined to even higher standards, with the new Grand Vividus remaining the highest expression of Hästens’ pursuit – and pricing. Handmade in Sweden from natural materials such as horsehair, wool, cotton, and flax, with up to 600 hours of labour in every piece, it is an embodiment and celebration of restoration. 

Plus, the new drēmər brings the same idea into a more daily, liveable and affordable form, with a focus on recovery and productivity through improving sleep. Rafauli says: “The bed is not just another element in the room. It’s the reason the room exists.” Here, he talks further about the debut designs and his life as an international style architect. 

What were the first and most important things to consider before designing the new Grand Vividus and new drēmər?

It began with a disciplined study of Hästens’ DNA, not just visually, but philosophically. From my perspective, the approach was about designing with reverence, not just flair. Protect the lineage, the craftsmanship, the layering, the human hand. That’s the soul. Strip back to the essence of what makes a Hästens bed a Hästens bed, [such as] proportion, tactility, honesty in materials. Then carefully introduce evolution through form, presence, and experience.

The key was heritage versus progression. Grand Vividus leans into timeless permanence celebrated with design, while drēmər explores emotional and sensory modernity but still anchored in the same DNA. Nothing is arbitrary. Every line, every proportion is about amplifying the bed as an object of reverence not just something you sleep on, but something you experience and respect and can celebrate as the art in the space it lives in.

What are the central points of the new designs?

At the core, both designs elevate the bed from product to presence, something to be celebrated as the true focal point of the room. A balance of art and science: it’s about reframing the bed as architecture, not an object placed within a space, but something that defines it.

How do beds define the bedroom?

Sleep is assumed – what’s new is the feeling, the sense of arrival, the ritual, the transition into rest and recovery and always, heritage as the foundation. The craftsmanship, the natural materials, the Hästens layering, preserved at the highest level, but pushed one step further. This is no longer something to be covered by bed frames or skirting. It’s a piece to be on display, a bed as art. It shifts the focus back to where it should be rest and restoration. The bed becomes the clear point of gravity, allowing everything else to soften and support that purpose. The room stops trying to do too much and instead becomes intentional, quiet, and aligned.

You design luxury homes every day – what is always the most important room in the house for you?

Every space does carry its own weight. A home isn’t defined by a single room, it’s defined by how intentionally each environment supports a different aspect of living. The kitchen brings people together, the living areas create connection, circulation spaces guide experience, and even transitional moments – such as hallways and thresholds – shape how the home is felt.

While every space deserves importance, not every space carries the same intimacy. As a designer, the responsibility is to honour the purpose of each space without hierarchy in effort, but with clarity in intent. That’s where the real work is. Social spaces should energise and host effortlessly, private spaces should restore and ground, transitional spaces should create rhythm and flow. The expression shifts based on what that space is asking for. That’s where design and performance truly merge: not in making everything equally loud, but in making everything precisely right for its role.

Which room is your starting point?

It starts with a clear understanding of lifestyle, how the client lives, moves, and uses the home. From that, we build a programme: a tailored ‘menu’ of spaces and functions that reflects each project’s unique needs. From there, the creative process begins. I typically establish the core axes and alignments first – this creates order, direction, and an underlying framework for the home. Within that structure, the room programmes are carefully positioned and refined. A critical part of this process is considering furniture layouts and traffic flow early on. These aren’t afterthoughts, they’re foundational. When circulation and scale are resolved at the beginning, everything else follows with clarity and intention.

What are some of the design pitfalls to avoid?

Ignoring proportion and scale. You can have the best materials in the world, but if the proportions are off, it feels wrong instantly. Ceiling heights, door sizes, furniture massing – this is where most projects fail quietly. People notice, even if they can’t explain why.

Additionally, lack of hierarchy. Everything can’t be important. If every element is competing, nothing wins. You need a clear focal point, then everything else supports it.

What gives a space or product design longevity?

Timeless doesn’t mean neutral, it means conviction. The strongest designs are built on a clear idea, not borrowed from what’s currently popular. When something is rooted in a defined perspective, it naturally sits outside trend cycles. Staying within a disciplined design language, grounded in classical principles, proportion, and alignment, creates that foundation. But longevity also needs identity. The work must carry a distinct DNA, a subtle tension or twist that makes it yours. That balance is where it lasts, respect the rules, then refine them with intention, not noise.

Has design always been a big part of your life?

I believe designers are wired differently. The ones with real ability carry an instinct you can’t manufacture – a natural sense for layering colour, material and detail in a way that feels effortless and resolved. They know, almost intuitively, what to add and more importantly, what to leave out. That level of taste isn’t something you can fully teach or study in school, it’s felt before it’s explained. Experience sharpens it, refines it, gives it discipline, but the core of it is innate. Over time, it evolves, but it always starts as a way of seeing that’s simply… different.

How central is sleep to your wellbeing?

Sleep isn’t just part of wellbeing, it’s the foundation of it. You can train hard, eat clean, stay disciplined, but if sleep is off, everything else operates at a deficit. Physically, it’s when your body repairs tissue, regulates hormones, and resets your nervous system. Mentally, it’s where clarity, focus, and emotional control are rebuilt. Without it, decision-making drops, stress tolerance shrinks, and even creativity flattens.

The part people underestimate is how quickly things unravel without it. Poor sleep doesn’t just make you tired, it compounds: judgment gets worse, impulses get stronger, recovery slows, mood becomes inconsistent and that affects everything from business decisions to relationships to how you show up day to day.

hastens
Grand Vividus
What does elite performance mean to you?

Elite performance isn’t about intensity, it’s about consistency at a high level, over time. It’s the ability to execute with clarity, precision, and control, regardless of conditions or pressure. Anyone can have moments of peak output, but elite performers remove volatility, they show up sharp, make sound decisions, and deliver results repeatedly.

It also means managing energy, not just effort. Knowing when to push, when to recover and how to stay disciplined without burning out. There’s a level of self-awareness and restraint involved, doing less, but doing it better.

From £564,990 up to £1,131,990 for Grand Vividus; from £51,690 up to £184,090 for drēmər. Visit hastens.com

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